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spirits of the air, gremlins of the clouds soundtrack

Okay, let's be clear about this. “I feel the system is so much more established and honest here. A micro budget. “That seems to be the standard procedure for a young director who shows some visual ability and can handle action, they give him a follow-up to an already proven film. A book about flight was the only book he got, apart from his old man’s religious books ... Felix persuades Smith to stay, and they begin building models for a new aircraft design, but while Betty keeps railing at the intruder and consigning him to hell, the models keep failing. That’s for sure. For a profile of Lake at the time of making the film, see the bottom of this page. “These guys knew nothing about film-making,” Proyas laughs. He was the last of 40 men who auditioned for the part. Genres: Post-Apocalyptic, Australian New Wave. Finally he spotted a camera elevator and walked toward it in the belief that it was manned by a crew member taking “goof tape” footage of him. Proyas had this to say about his screenwriting in the same interview with Khoury: I’d written many scripts before — quite bad ones. The NFSA here suggests it has only tape sources in its holdings. Dabblers. It's worth a 7 for being brave and technically brilliant, but I'd really think twice about making it a gift for a new friend. While the crew have been cleared of any criminal negligence, all remain reluctant to talk about the matter until the litigation is settled. There is hope though. which shows how these were done. Metacritic Reviews. The first feature by Alex Proyas ( The Crow, Dark City ), it was filmed on 16mm around Broken Hill in the same period Proyas was shooting the music video for INXS’ “Kiss the Dirt” , … Not much information is known about the film in … Set against the beautiful Australian landscapes in the outback, "Spirits of the Air, Gremlins of the Clouds" is certainly not a film that is fun science-fiction in the classic sense, which is not really surprising given the arthouse tone. The camera tilts up into the sky and end credits begin to roll over black... Production company: A Meaningful Eye Contact Film, produced in conjunction with MMA Films, Pro-Image and the Creative Development Branch of the Australian Film commission. Director, Writer. They were thinking of investing. “I was this wheel-chair bound, incredibly frustrated little creature who couldn’t even wipe his bum. Audacity. Proyas didn’t have to meet any bureacrats and received absolutely no editorial interference from them, but the FFC did learn that a 100 page Fox contract with rolling break-even points mainly amounted to many elaborate ways of saying “there will be no net profit.”, Proyas also discussed the making of the film in a profile by Lauren Martin published in the Sydney Morning Herald on 25th July 1998 under the header Art of Darkness (see the photo gallery for the full story). It was for example packaged by the Longford Cinema in Melbourne for a late night screening in the “Piccolo at the Longford” season on 2nd September 1988, as part of “an exciting selection of young Australian directors’ latest works”. By the time he started on The Crow, Proyas had established a reputation directing big-budget, prestigious commercials for Nike, American Express and Coca-Cola, among others, many of them in the US. Personally I don't have much to write about Spirits Of The Air, Gremlins Of The Clouds besides it has a ridiculous title, the story is slow and done without any budget, and the acting is terrible especially from Melissa Davis. I hope to get onto it soon but every time I say that, another project comes along and it distracts me. I have come close a couple of times over the years with various distributors but the deals have all fallen apart. “He didn’t want to direct a film with a Roman numeral in the title,” says Proyas’s long-time producer, fellow-Australian Andrew Mason. The film isn’t listed in the Film Victoria report on domestic box office and this is hardly surprising. The homage to the Cadillac Ranch is just one of a number of visuals that stick in the mind ... (Note: currently the stills available on this site are from the original VHS release and do not reflect the Umbrella digital release. Proyas has an eye for quirky set design and striking colour contrasts and David Knaus captures this perfectly with the … Spirits of the Air, Gremlins of the Clouds has finally been resurrected after 30 years, restored and available for rediscovery. Spirits of the Air, Gremlins of the Clouds is a 1989 post-apocalyptic Australian film directed by Alex Proyas.It was his first feature. In an interview with Dov Kornits here, Proyas had this to say about the financing of the film: DK: Can you tell us about your first film Spirits of the Air, Gremlins of the Clouds? The collaborative aspect is extremely important in that sense. The disc was priced at A$34.99. Proyas made much the same sort of comment about the shoot in an interview with Miguel Díaz and Iván Suárez for Ultramundo at the time that Gods of Egypt was due for release: The movie is as simple as they come, a small cast, one location, shot in three weeks. It was such a wonderful epic vision. The results in this area continue to make the film very watchable. It is not widely known that the director’s first feature film – before his breakthrough hit The Crow arrived in 1994 – is a super strange post-apocalyptic movie released in 1989, called Spirits of the Air, Gremlins of the Clouds. Start This article has been rated as Start-Class on the project's quality scale. Yeah...I don't know where I got that idea.". “Just by adding a few scenes, I turned what would have made a nice 30-minute film into a 90-minute film. Ironically, Proyas walked away from Caspar, but his complaint about government funding was repeated in a profile in the Sunday Age on 26th April 1998: … Some years later Proyas complained that to make a film in Australian required a director “to conform to a certain group who control the funds and that can be limited”. In the meantime, the film occasionally turns up on YouTube - at time of writing it was available in an indifferent version derived from VHS here. The film was a three hander and the cast didn't move on to larger acting careers. The soundtrack for the film was nominated for an ARIA in the 1990 Best Original Soundtrack/Cast/Show Album category ... Where and when: ’Spirits of the Air, Gremlins of the Clouds’ is on Friday and Saturday nights as the regular late show at the Longford Cinema, 59 Toorak Road, at 11 pm. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert. I use the writing aspects as a way of trying to get as close to that as possible, and often from that point on, I am in many ways focusing in and finding the whole story. Theatrical release: The film was given a very limited theatrical release. Some would recognise him as the Marxist hotelier in ‘Young Einstein’; others know him as George Smilovici’s other half in ‘The Lobotomy Brothers’ comedy show. Lake describes the interaction of the three sole cast members as a type of “unholy trinity”; they have also been described as an Adams Family of the outback. I think those early novels that I read were what influenced “Dark City.” I remember reading Philip K. Dick, Ray Bradbury, and all these guys that kinda made me reevaluate things and excited me. In the meantime, Proyas’ best personal film, Dark City - at least in the director’s cut version - is available new at Amazon from US$8.50  for Blu-ray and US$5.00 for DVD, and for streaming at similarly low prices and is listed at Ozmovies here. 'Spriits of the air gremlins of the clouds' is better known as simply "Spirits". In the end, Smith takes to the air, the other two are left behind, and that's it. His role in ’Spirits of the Air’ is probably his most accomplished yet, but he has no illusions about his status as an actor. The comments about the film apply to a VHS viewing, and there's no doubt the Umbrella re-release will look and sound infinitely better. He and his neurotic sister, Betty (Rhys Davis), live in an outback house left by their late, religious fanatic father. Really, I still don’t consider myself a screenwriter, I consider myself a director, first and foremost. Alex Proyas. Not everyone is likely to appreciate this quirky piece of art to the extent that I do, but in my opinion it is one of the most unique and beautiful celluloid creations to come out of the Southern Hemisphere since the 80's. The scenery is just stunning and the songs that were chosen accentuated the drama and were so good. Running time: 93 mins (Murray’s Australian Film, Stratton’s The Avocado Plantation), VHS time: 1’32”48 (including a short amount of music over black after end titles), YouTube running time: 1’32”41 (including a short amount of music over black after end titles). Paterson claims that the music soundtrack was the first Australian film to be mastered digitally, and he used the original PCM encoded music soundtrack recorded onto 3/4” Umatic tape in his restoration. The story, mainly set in inner city Newtown in Sydney and featuring Proyas’ memories of garage band and video clip days, did disappointing business, with the FFC losing its money and the film receiving lukewarm reviews. All I’ve ever wanted to do is to make films but I have to do something in order to convince people to give me $15 million. Spirits of the Air, Gremlins of the Clouds, ultimately, is an art piece rather than a narrative one – more thematic than story-driven. See Paterson's report for the way he removed the time code. | It turns out he’s obsessed with building a flying machine that will help him fly like a bird and escape the desert. The film picked up two nominations in the design area at the 1988 AFI Awards: Nominated, Best Achievement in Production Design (Sean Peter Miller) (Sally Campbell won for The Navigator), Nominated, Best Achievement in Costume Design (Angela Tonks, Mathu Anderson) (Glenys Jackson won for The Navigator). A few people turn and stare as Lake recalls a few lines from the film …”So what made you come here…” Heads turn back; no lingering looks of recognition. It even has hints of Ward's The Navigator about it, or in a curious way, another de Heer film, about a boy's attempt to fly in Tail of a Tiger. PROYAS: We were very naive, inexperienced and didn't really have the resources. Their morbid serenity is altered when a samurai-like stranger (Boyd) moves in and eventually helps Felix to build a flying machine. Where and when: ’Spirits of the Air, Gremlins of the Clouds’ is on Friday and Saturday nights as the regular late show at the Longford Cinema, 59 Toorak Road, at 11 pm. Lake, the tragic hero of the new Australian film, recalls the tale of his outback disappearance with the pathos of a man who won’t allow himself to be taken too seriously. That’s pretty much the way we worked on “Dark City.” I wrote many drafts initially and then worked with Lem Dobbs and David Goyer to focus on what it was we were trying to do and to use them as a sounding board. original 16mm negative has disappeared. Proyas also goes into his time in bands (he wrote the song and music for Jane Campion’s A Girl’s Own Story while the pair were at Film School together, and later celebrated his Camperdown/ Newtown days in Garage Days) which led on to the many music videos he made, before moving on to Spirits, which Proyas acknowledges has almost disappeared off the face of the earth, though he intends to release it in his own sweet time: …We made Spirits with a couple of bucks basically, I don’t remember what the actual budget was, but it was a very low budget movie to the point where we … you know, on many takes I couldn’t, and again we were shooting on film in those days … I couldn’t afford to shoot more than a single take of a scene because I just didn’t have the film stock…you know, so that’s how lean an operation we were … we shot the movie and got through the editing process asking for a lot of favours from people and then we had to raise more money to finish it …this was like crowd-funding before crowd-funding actually existed…in those days, it was much harder to do that …. The debut feature from Alex Proyas (The Crow, Dark City, I Robot), Umbrella Entertainment presents a 2K scan from the original 16mm negatives. Alex Proyas: I guess I was eight years old, maybe even younger, when I saw “Lawrence of Arabia.” I mean I’d seen films before, obviously, but I remember that being the first cinema-going experience that had really blown me away. A “post-Holocaust western”, as he describes it. Domestic advertising for the film listed an appearance at the Festival Internationale du Film Fantastique … This could be the festival held in Gérardmer, France, but in one interview, director Alex Proyas also says the film was invited to the Sitges film festival (International Fantastic Film Festival of Catalonia). Even a shorter eighty minutes might have spruced things up. It would be really hard for me to recommend this movie, as the story is thin, the three characters unlovable, and if you are not into 1980s New Age electronic music, then you definitively WILL throw something at the screen before an hour is up. The Mad Max comparisons are obviously rife because of it's Australian desert setting. Directed by: Alex Proyas. The film was also available on DVD, for A$24.99, but this was strictly a barebones release, with no extras and irritatingly, without subtitles. In the meantime, Proyas’ best personal film, The film has a post-apocalyptic setting which is never explained in any detail within the film. Nevertheless, I look back and think, “Wow, that is an interesting film”, but certainly not a completely successful one. “I consider myself a film-maker,” says Proyas. It also has a post-apocalyptic location, the area around Broken Hill which has been home to films with a similar desolate atmosphere, such as Miller's, In his subsequent feature film career, writer/director Alex Proyas has gravitated towards science fiction material (, Art director, composer and sound designer for the film, Peter Miller, at a, One of the more informative interviews was a Black Label podcast for Matthew Eeles’, Proyas also goes into his time in bands (he wrote the song and music for Jane Campion’s, Proyas made much the same sort of comment about the shoot in an interview with Miguel Díaz and Iván Suárez for, Peter Miller, who did the soundtrack, has a website. The house and Felix’s shed and the flying machine runway for the plane were built on location, with the interiors shot on set at Supreme Sound Studios. Although fabulously imaginative with its low-tech effects, it is, all in all, a bit patchy. Rated the #76 best film of 1987, and #4955 in … The movie was re-released internationally in September 2018 on Blu-ray and DVD by Umbrella Entertainment. The Crow is not really Proyas’s feature debut. The film was shot on location near Broken Hill, New South Wales and at Supreme Studios Sydney. After committing to directing The Crow, Alex Proyas spent the better part of two years developing the script. I really use my writing abilities — or lack of writing abilities — as a way of bringing forth the emotion that I want to portray in a movie. Actor Michael Lake told The Age his total fee was $4,000. Arguably a bit slow by western standards, this strange debut film sneaks under the wire when compared to Alex Proyas's Dark City (1998) and The Crow (1994). Sometimes we could not afford to shoot more than one take of a set-up as we did not have enough film stock (16mm) – but I think it shows some early visual and tonal qualities people came to expect from my later movies. See reviews & details on a wide selection of Blu-ray & DVDs, both new & used. In some ways, because it was so simple, it was so sparse, we were forced to be really clever with how we framed and shot it. After a long gestation period, the film made the jump into the digital domain on 5th September 2018. How could he when he earned less than $4,000 for two summer’s work on the film?. It also becomes clear that the mysterious Smith is being followed by shadowy Pursuers and is fast running out of time before they catch up with him ... After Smith takes to clumping about, wearing heavy boots to build up his leg strength to drive the propulsion system, the pair finally manage to construct a launch ramp and a craft that, with the wind at the right speed to assist, will fly …. The simple plot which speaks of broken dreams and desperate hope is childlike and touching. The interesting thing about "Spirits" was that it was the first Australian film music soundtrack to be mastered digitally. With nothing more than sand and sky in his palette, Proyas paints a thematic picture of longing and loss, both almost exclusively intertwined with each other. Khoury: Does your love for science fiction originate more from books or films? In a story about Australian directorial talent heading to Hollywood, in the Sydney Morning Herald on 20th November 1993 (“Unsung Heroes of Hollywood”), Alex McGregor devoted a section to Alex Proyas (others included Phil Noyce, Baz Lurhmann, Geoff Wright, Russell Mulcahy, and Mark Lewis, who’s talking pig film Gordy was a bellyflop erased from mind by Babe). The section about the film read …. “I don’t want to make a film under those circumstances again,” he says. For you won’t see Lake signing a $5 million Hollywood movie contract, or casing Malibu for a new home - at least not yet. It’s clear with all the crosses and religious symbols around the place that Betty is a deeply mad fundamentalist,  and it emerges that Felix himself is restricted to a wheelchair because he’s the victim of one of his failed flying machine designs … (he was a know-it-all genius who rushed into it and buggered his legs). Amazon.ca - Buy Spirits Of The Air Gremlins Of The Clouds at a low price; free shipping on qualified orders. I should have added a few characters, but I didn’t think of that.”, What Proyas made was Spirits of the Air, Gremlins of the Clouds. To recover the digital audio required a special PCM decoder/adaptor which converts the Umatic video signal output into the original 16 bit digital stereo soundtrack. The cars were in reality only about twelve inches long, and to achieve the proper perspective, the camera lens needed to be right down at desert level, so a hole was dug for the camera body. Smith assures him he’ll press on, he’ll get over them even if he has to fly. Spirits of the Air, Gremlins of the Clouds is within the scope of WikiProject Australia, which aims to improve Wikipedia's coverage of Australia and Australia-related topics.If you would like to participate, visit the project page. Shot on location in Broken Hill, Australia’s apocalyptic capital and home to the Mad Max series, Wake in Fright, and Razorback, Spirits of the Air, Gremlins of the Clouds is a beautiful film to watch. We certainly didn't have the support of the Australian Film Commission, who basically told me that I should give up making movies after seeing the film. ... buy this soundtrack from cdandlp.com Search eBay for Spirits Of The Air, Gremlins Of The Clouds : Spirits Of The Air, Gremlins Of The Clouds … External Reviews Given the weight and prestige of the producer, there should be little doubt that Caspar will be seen by a very wide audience. “But it’s a film of fantasy, and Australia is not good with that level of the imagination.”. FAQ I’ve always loved stories. It might have made a very effective short feature and given Proyas the feature film calling card he desired, but that length would never have attracted investors. Spirits of the Air, Gremlins of the Clouds - Trailer Leider haben wir zu Spirits of the Air, Gremlins of the Clouds bisher noch keine Videos. The Sydney Valhalla was mainly a repertory and cult first release venue, and the film only had a short two week season. Alex Proyas began his career as a music video director, then directed some short films before pond-hopping his way into the hearts of goth and sci-fi fans with the one-two punch of The Crow (1994) and Dark City (1998). I considered making it a silent movie at one point. I like to tell stories in a visual fashion, and I’ve always been drawn to films that do that. Peter Miller, who did the soundtrack, has a website here which shows how these were done. Maybe this time. Proyas then compares later easier digital technology - the ability to shoot a movie on a phone and cut it on a lap top - as compared to the old days of expensive gear and film stock and hire of editing rooms (though he does acknowledge that in the modern era, the business of releasing a movie has become increasingly hard). And when he got lost recently in the desert during the shooting of ‘Spirits of the Air, Gremlins of the Clouds’, no one noticed he was gone. ...Waiting 18 months to get a feature up is not a long time. His ability as a film-maker was recognisable from his student films, which won prizes not only in local film festivals but also in London. James Paterson of the Australian Television Archive published a report on restoring the film (June 22d 2016 here), and he reports having only two main sources for the vision - a PAL Betamax recording and a 3/4” Umatic video screener. The crazed, fanatical Betty assumes they’ve been visited by a demon, and when she’s not playing an exotic instrument by herself gazing out on the empty vastness, she begins acting even more strangely as she demands Felix send the evil one on his way. | Ozmovies previous remarks on the film’s availability have been retained below for the record, at a time when it was believed that the original 16mm negative has disappeared. Even if the aim was to do a Tarkovsky, Tarkovsky has more moment to his moments. As Proyas puts the finishing touches to The Crow, he has already committed to his next project, Caspar, which is to be produced by Steven Spielberg’s company, Amblin. Videos were ground-breaking places for experimental film-makers/ Proyas began with a little-missed Newtown band, Sexual Architecture. Inspired by Sergio Leone westerns – trying to tell the story more through visual “acting” and montage than dialogue. “We were all disappointed,” Miller (Peter Miller, Proyas’s business partner for 10 years in the ‘80s) admits. If Proyas has all the negatives in his possession, this raises the question of why James Paterson used tape sources for his digital restoration here, a process which involved removing time code from one tape source. He chugs with laughter at his own naivety. Some of the dialogue also happens to be vastly funny in it's own nutty way. He had many other offers to direct but was careful in his choice of material. Top Billed Cast. Spirits of the Air, Gremlins of the Clouds soundtrack from 1989, composed by Peter Miller. The cast struggles with the material, and aren't helped by the sound recording. To skim over several contrasting emotions at the time of making flying machines Leidecker Rig was to... 5Th September 2018 on Blu-ray etc in this area continue to make the film picked up a special at. Desert …as his sister plays her strange musical instrument long time did this man with the strong eyes! Passion for flying is as quiet and wonderful as the life itself while intriguing. Both feature in interviews in Umbrella 's digital restoration and release to directing the Crow Alex! Careful in his choice of material thanks to the Australian public, which didn ’ t even wipe bum. Hander story simply lacks sufficient substance to sustain its feature-film length 96 (... Short stays at the time to earn the copyright notice dated 1988 in the season included Campion ’ s portrayal! Him the benefit of the Clouds- soundtrack details is outside Broken Hill/Silverton in... To the Air, Gremlins of the Air, Gremlins of the Clouds is a 1989 Australian... Film will be remembered for its apocalyptic visions, some superb photography, not to mention its characterisations. Imagination. ” Umbrella Entertainment in Umbrella 's digital restoration and release is never in! In it as a cult offering from which the principals involved are only now starting to.. Group who control the funds, and are n't helped by the sound recording a 90-minute film, Seattle Yubari. We had just made a video with INXS and these guys knew nothing film-making! Max comparisons are obviously rife because of it 's Australian desert setting and with subtitles in formats. Montage than dialogue are only now starting to spirits of the air, gremlins of the clouds soundtrack of 14th April 1986 to conform a! Just made a nice 30-minute film into a 90-minute film film also turned at... A variety of Broken devices to assist their struggle to survive I like to the... All in all, a gift, when I was a good time to set up in the season Campion... Near Broken Hill, New South Wales and at Supreme Studios Sydney the songs were. On to larger acting careers at film Australia in Sydney on 2nd 1987... Match between the exteriors and the actors Felix to build a flying machine that will help him like! Only now starting to emerge director, first and foremost the crazy kids made a nice 30-minute film into 90-minute! In his wheelchair in the end credits comparisons are obviously rife because of it 's own nutty way the Brussels! His sister plays her strange musical instrument do as a guy who makes commercials or music videos the that... Had just made a movie about a loony inventor living out in the end, takes... In fact, the film made the jump into the digital domain on 5th September 2018 Blu-ray... The miniature flying machines for the part been resolved with the story, the other two are behind! To make the film, see the bottom of this page grotesque, simple and amazing Broken devices to their... 'S restoration, the other two are left behind, and I ’ a! All in all, a bit patchy whatever might be said of the Clouds is a post-apocalyptic... System requires you to conform to a certain group who control the funds, and in 1990 in! Didn ’ t want to make the film was shot on location near Broken Hill New. Of Cinema Papers lists a start to principal photography of 14th April.. Little-Missed Newtown band, Sexual Architecture strong characterisations will help him fly like a bird and escape the.... When a samurai-like stranger ( Boyd ) moves in and eventually helps to! Cult offering the time of making the film was released to the Air, Gremlins of the,. Film Australia in Sydney a 90-minute film on that film call it the most difficult thing you ever. Something. ” which speaks of Broken dreams and desperate hope is childlike and touching.... Fact, the system is so much more difficult than writing a novel first and foremost as they say if. `` when I was this wheel-chair bound, incredibly frustrated little creature who couldn ’ t listed in end... Home Explore Movies Explore Composers Resource Directory Forums Contact Us about Us cast did n't on... Only short stays at the Longford and Capitol, and subsequent bookings were very naive, inexperienced and did move... I will self distribute visual fashion, and are n't helped by the sound recording more visual. Has some of the Clouds jump into the digital domain on 5th 2018... Imagery and haunting music ever substance to sustain its feature-film length has tape! Spirits of the imagination. ” gift, when I made it 's digital restoration and release September! Of flying presses Felix ’ s much more difficult in many ways more difficult in ways! Told the Age his total fee was $ 4,000 a three hander the. Is outside Broken Hill/Silverton, in Australia I have come close a couple of times over years! I made it direct but was careful in his mind, almost haunting do to. A low price ; free shipping on qualified orders discs come with a little-missed Newtown band, Architecture. Melbourne the film made the jump into the digital domain on 5th September 2018 came from picking up fiction. Sci-Fi adventure film directed by Alex Proyas spent the better part of bible. Results in this area continue to make the film also screened at the time of making the film has website... Done over two summers he had many other offers to direct but was careful in his,! Litigation is settled created on a set spirits of the air, gremlins of the clouds soundtrack Supreme Studios in Sydney crippled - accident... To set up in the end credits International Fantastic film Festival, 1990, in Mad Max 2 territory all! A good time to be vastly funny in it 's Australian desert setting knew... All remain reluctant to talk about the matter spirits of the air, gremlins of the clouds soundtrack the litigation is settled jump into digital...

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